The ultimate full moon shot. Dean Potter walks a highline at Cathedral Peak as the sun sets and the moon rises. Shot from over 1 mile away with a Canon 800mm and 2X by Michael Schaefer. This shot was part of a bigger project for National Geographic called The Man Who Can Fly.
Hands down this was the most complicated photo I’ve ever taken,” says photographer Mikey Schaefer. “It started a year earlier with Dean [Potter] seeing the moon rise over Cathedral Peak and noticing that it would make a great shot.“ A bit skeptical, Schaefer used an app called The Photographer’s Ephemeris to locate where the moon would rise from a relative location. “I went out the night before the shoot with a GPS and lined everything up. Sure enough, the moon rose exactly where I thought it would,” says Schaefer.
In Tuolumne Meadows, Schaefer set himself on an adjacent ridge from Potter, about 1.2 miles away, and began shooting at 7:30 p.m. “Thankfully the light was absolutely perfect, as it was just ten minutes before the direct sunlight would be off of Dean. This allowed me to balance the exposure evenly between Dean and the moon, as there weren’t too many stops difference between the two,” recalls Schaefer.
Schaefer worked throughout the filming of the show, from rigging ropes to operating video cameras, all while shooting still images as well. The image of Potter against the moon stands out from the rest of the shoot. “The whole scenario seemed crazy,” Schaefer says. ”I was over a mile away from my subject, who was walking a tightrope with certain death consequences if he fell. I was running through the woods with $20,000 worth of camera gear, making the most unique photo of my career. I’m still a bit amazed that I managed to stick the shot.”
This image was captured using a Canon 5D Mark II and an 800mm, f/5.6 lens with a 2X doubler. via