It Happened at Pomona: Art at the Edge of Los Angeles, 1969-1973, Part 1: Hal Glicksman at Pomona

From 1969 to 1973, a series of radical art projects took place at the far eastern edge of Los Angeles at the Pomona College Museum of Art. Here, Hal Glicksman, a pioneering curator of Light and Space art, and Helene Winer, later the director of Artists Space and Metro Pictures in New York, curated landmark exhibitions by young local artists who bridged the gap between post-Minimalism and Conceptual art and presaged the development of post-Minimalism in the later 1970s. Artists such as Michael Asher, Lewis Baltz, and Allen Ruppersberg formed the educational backdrop for a generation of artists who spent their formative years at Pomona College, including alumni Mowry Baden, Chris Burden, and James Turrell. It Happened at Pomona is a three-part exhibition, with public events and a publication, which documents a transformative moment for art history.

Part 1: Hal Glicksman at Pomona focuses on the academic year of 1969-1970, when Glicksman was the curator/director. Glicksman established one of the first museum residency programs in which artists used the museum gallery as a studio space and created unique environments directly in the museum. Artists include Michael Asher, Lewis Baltz, Judy Chicago, Ron Cooper, Tom Eatherton, Lloyd Hamrol, and Robert Irwin.

Photography by Taiyo Watanabe

Entrance to exhibit

Ron Cooper

Rise, 1970/2011 by Tom Eatherton

Rise, 1970/2011 by Tom Eatherton

Situational Construction for Pomona College, 1969/2011 by Lloyd Hamrol

Situational Construction for Pomona College, 1969/2011 by Lloyd Hamrol

Lewis Baltz on the left / Judy Chicago on center / Ron Cooper on right

Untitled, 1968-69 by Robert Irwin

Untitled, 1968-69 by Robert Irwin

Untitled, 1968-69 by Robert Irwin