Jason Thielke’s work demonstrates aesthetic elements that encompass both contemporary and traditional techniques much like modern architecture. This style emerges in deeply personal, figurative works, which comfortably contrast hard lines with soft features and mixed emotions. In the past, the artist’s process of drawing, composing, and transferring images has mirrored the planning, deconstruction and reconstruction phases of urban gentrification.

This new body of work utilizes that same process to negotiate the complexity of human nature.

Later works speak to Thielke’s fascination with behavioral juxtaposition within the individual. The conflict between one’s ability to implement self control and compulsion to manipulate and constantly self-gratify emerges as a reoccurring theme. Jason Thielke’s drawings illustrate this struggle with mathematical precision. Constellations of the human experience, the artist utilizes simple, structural forms to portray stark contrasts within the spirit of his subjects – swirls representing natural beauty and positive energy; straight lines referencing intentional thought and manipulation used to influence others. These figures depict the idiosyncrasies of human perception, examining the dynamics of body language, eye contact and spiritual interaction.

Jason Thielke earned his Bachelor of Fine Arts from Northern Illinois University School of Art. His work has been featured internationally in galleries and art fairs, with solo exhibitions in Denver, Portland and Seattle.

Come Back To Me, 2010 (acrylic, aerosol, graphite, color pencil on wood panel, 30" x 40")

2010, Big Horn Sheep (laser etch, aerosol, ink on wood panel, 23" x 30")

2011, Comatose (acrylic, aerosol, transfer, graphite, color pencil on wood panel, 30" x 40")

2010, Pieta (laser etch, acrylic, aerosol, ink, color pencil on wood panel 23" x 30")

2009, Shadows (laser etch and lacquer on wood panel, 15" x 15")

2009, Mystic (laser etch, lacquer, aerosol, ink on wood panel, 23" x 30")


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